Composed by the Wind

In architectural practice, the building’s composition and every detail must be established and documented before it can be built.
I experimented with an antithetical process, allowing the elements of the painting to be (literally) tossed to the wind.
I then reintroduced time to the process by tossing the same elements into the breeze at different times throughout the day, and documenting their locations accordingly.

Untitled–Blue, 2010. Oil on canvas. 8′ x 4′                                                             Untitled–Amber, 2017. Oil on wood. 8′ x 4′